--- title: Audio Basics breadcrumbs: - title: Media - title: Audio --- {% include header.md %} - Bands: - Lows (ca. 20Hz-100Hz) - Low midrange (ca. 100Hz-1kHz) - High midrange (ca. 1kHz-10kHz) - Highs (ca. 10kHz-20kHz) - Signal levels: - (Note) This is the voltage (and somewhat impedance) inside cables/equipment. - Mic level: Output from a microphone. Very weak, requires a preamp. - Instrument level: Output from e.g. a guitar. Like mic level but slightly stronger. - Line level (+4dBu): Professional equipment. - Line level (-10dBV): Consumer equipment. Lower than +4dBu. Not to be confused with dB**v**. - Speaker level: High-power signal going from an amplifier to a (passive) speaker. - Phono: Old, for turntables etc. Much lower voltage than line level. Typically needs a phono preamp/stage with RIAA equalization. - Balance mode: - Unbalanced: Ground and signal. - Balanced: Ground and hot and cold signal with equal impedance. The cold signal is 0V but not (directly) connected to ground. - Differential: Balanced but the cold signal is the opposite voltage of the hot signal instead of 0V. - Balanced and unbalanced mono plugs/sockets can generally be connected together (with the loss of the balanced signal), but don't connect e.g. a stereo unbalanced TRS to a mono balanced TRS. It'll sound weird due to the signal mismatch. - Ground loops: - When there exists physical loop in the ground wires. Typically when devices are connected to different grounded power outlets. - Different potentials in the loop will cause undesired current flow. - Can be heard as a 50Hz/60Hz hum in the audio signal. - Solutions: - Use balanced signals. - Connect all equipment to a single grounding point, i.e. a single power outlet. - Break the shielding on one cable to break the loop. Different boxes, like DI units, may have this as a feature known as a ground lift. However, make sure all shields are connected at one end (don't lift everything). Don't break the shielding/earthing on devices that needs it for safety reasons! - Use a ground loop isolation transformer. - Group the ground cables together so no currents get induced into the cables. - Use a resistor and/or a ferrite bead to limit AC current. - Phantom power: Applies 48V to XLR3 (or similar) inputs, for powering mics and similar. Applying this to devices which aren't made for it can break them. - Impedance: Basically resistance but for AC. - Proximity effect: Increase of low frequency response when a audio source is close to a directional or cardioid microphone. {% include footer.md %}